As director, Mili imposed on the film an abstract visual style using completely empty backgrounds of sheer white or black, a mobile camera, and freely imaginative lighting schemes that somehow respected the humanity of his subjects. The cinematography was entrusted to Robert Burks, who would later shoot most of Alfred Hitchcock's films from Strangers on a Train (1951) through Marnie (1964).
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- Ходжа Н. (
hojja_nusreddin) wrote,
Ходжа Н.
hojja_nusreddin
Jazz giants on an open thread
As director, Mili imposed on the film an abstract visual style using completely empty backgrounds of sheer white or black, a mobile camera, and freely imaginative lighting schemes that somehow respected the humanity of his subjects. The cinematography was entrusted to Robert Burks, who would later shoot most of Alfred Hitchcock's films from Strangers on a Train (1951) through Marnie (1964).
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оскоромился - стал торговать переводами из Руми на Цифровой Витрине
поставил пока "Суть Руми" за 98 руб - https://www.cibum.ru/book/show/70006022 АХТУНГ: - эта "Цифровая Витрина" "сделана" "sovkovymi metodami", на…
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Joobin Bekhrad, "Leonardo DiCaprio can’t play Rumi because he wasn’t white – or was he?"
Leonardo DiCaprio for Rumi? The word on the street – or the internet, rather – is that - "Gladiator"'s screenwriter David Franzoni has his eyes…
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Руми, "НЕЗРЕЛОСТЬ"
Весь мир этот древу подобен, На коем ты зреешь плодом, Зелён, горьковат, несъедобен, За ветку цепляясь с трудом. Жить эдак желаешь ты вечно,…
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