As director, Mili imposed on the film an abstract visual style using completely empty backgrounds of sheer white or black, a mobile camera, and freely imaginative lighting schemes that somehow respected the humanity of his subjects. The cinematography was entrusted to Robert Burks, who would later shoot most of Alfred Hitchcock's films from Strangers on a Train (1951) through Marnie (1964).
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- Ходжа Н. (
hojja_nusreddin) wrote,
Ходжа Н.
hojja_nusreddin
Jazz giants on an open thread
As director, Mili imposed on the film an abstract visual style using completely empty backgrounds of sheer white or black, a mobile camera, and freely imaginative lighting schemes that somehow respected the humanity of his subjects. The cinematography was entrusted to Robert Burks, who would later shoot most of Alfred Hitchcock's films from Strangers on a Train (1951) through Marnie (1964).
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классика: вы все это знали, а я нет :(
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Stephen Kotkin, "Why Does Joseph Stalin Matter?" ( Hoover Institution)
Recorded on January 25, 2018. “Joseph Stalin, Soviet dictator, creator of great power, and destroyer of tens of millions of lives …” Thus begins…
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оскоромился - стал торговать переводами из Руми на Цифровой Витрине
поставил пока "Суть Руми" за 98 руб - https://www.cibum.ru/book/show/70006022 АХТУНГ: - эта "Цифровая Витрина" "сделана" "sovkovymi metodami", на…
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