As director, Mili imposed on the film an abstract visual style using completely empty backgrounds of sheer white or black, a mobile camera, and freely imaginative lighting schemes that somehow respected the humanity of his subjects. The cinematography was entrusted to Robert Burks, who would later shoot most of Alfred Hitchcock's films from Strangers on a Train (1951) through Marnie (1964).
Jazz giants on an open thread
As director, Mili imposed on the film an abstract visual style using completely empty backgrounds of sheer white or black, a mobile camera, and freely imaginative lighting schemes that somehow respected the humanity of his subjects. The cinematography was entrusted to Robert Burks, who would later shoot most of Alfred Hitchcock's films from Strangers on a Train (1951) through Marnie (1964).
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Путин на колчаковских фронтах
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право на убийство
__________________________________________ https://sdbullion.com/2017-silver-shield-democide-silver-round
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классика: вы все это знали, а я нет :(
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